Obits are a four-piece band who currently live in Brooklyn, NY, and whose music is probably considered an occupant of the rock music genre, specifically in the areas of garage, punk, surf, surf-punk, and garage-punk (though, not surf-garage). On this new album, they’ve also covered a song (“Besetchet”) from volume 23 of the excellent Ethiopiques series; so much for tidy categorization. The album for which this clumsy biographical dispatch has been prepared is entitled Bed & Bugs and it is the third full-length album by Obits, following their 2011 album Moody, Standard and Poor, which itself followed their 2009 album I Blame You, which we in the professional music industry refer to as the band’s “debut.” Bed & Bugs was recorded somewhere in Arlington, VA at an unnamed recording studio, simply and rather unhelpfully described as “upstairs.” This recording was accomplished by Nikhil Ranade, and the resulting songs were later mixed, variously, by this same Nikhil Ranade as well as Eli Janney and Geoff Sanoff.
On listening to Bed & Bugs, the discerning listener may well note more than a passing similarity to such bands as Hot Snakes, Edsel, Drive Like Jehu, Girls Against Boys, Pitchfork, possibly Television or the Wipers. This is un-coincidental! With the exception of those last two, Obits share members with all of those bands.
Less flippantly: There are scenes and there are connections; trending hashtags and experiences. It’s cool, these are not either/or propositions and there’s no need to postulate any us vs. any them, the kids today and the back in my day. Much of what’s best about any music, all art, across genres, within and beyond the latest craze, is the way it speaks to some definition of “us.” Proving, as Obits sing in Bed & Bugs’ “Receptor,” that “You ain’t the world’s lone receptor,” is deeply valuable. Because we’re all headed to the same place: me today, you tomorrow. And, in that waning interstitial space, let’s go ahead and have what we want. No need to choose: make ours both Bed & Bugs.
A fantastic album. I can see why they didn't continue under the name The Evens, as it's a different sound with the bass added. Coriky is the Evens + Joe Lally from Fugazi on bass. If you can imagine The Evens with a slightly more funky, aggressive sound like Fugazi... that's what you get! And there's no way that can ever go wrong. What a great debut album!! smiledozer
This Oakland group pulls no punches, serving up a hard-hitting punk album that recalls the blistering brilliance of Refused. Bandcamp New & Notable Nov 8, 2020
hardcore punk, jazz, alien themes, kind of all my jams wrapped into a tight package. Intense, freaky, lean runtime but feels dense especially being sectioned into essentially 4 parts. Easily one of the best punk records of the decade so far. Also that drumming...holy shit alienasu